IMPRINT
The mark the
press leaves
behind.
Original intaglio editions pulled in a single studio in Brooklyn. Each print carries the pressure of the plate, the grain of the paper, the moment of its making.
Recognition & Exhibition History
A trajectory
only ascending.
Twelve years of juried exhibitions, international residencies, and institutional acquisitions — each chapter documented in the process video it produced.
"The acid bite in these plates has a geological patience — each mark is a decision that cannot be undone. That irreversibility is the work's power."
Meredith Calloway
Director, Skowhegan School
2025
Skowhegan Medal for Printmaking
Skowhegan School of Painting & Sculpture
Madison, Maine
"Working in complete isolation, the press becomes the only conversation partner. These editions carry that silence — you can feel it in the ink weight."
Jonas Whitfield
Program Director, MacDowell
2024
MacDowell Fellowship — Printmaking
MacDowell Colony
Peterborough, NH
"The series from this year's ISP cohort redefines what pressure can mean in contemporary printmaking. Imprint's contribution is the anchor."
Dr. Aaliya Osei
Senior Curator, Whitney ISP
2023
Whitney Museum Independent Study Program
Whitney Museum of American Art
New York, NY
"Technically flawless, conceptually restless. The aquatint tones in this body of work achieve a depth I've rarely seen outside of Rembrandt's late states."
Prof. Tariq Brennan
SGCI Jury Chair
2022
National Print Prize — Best in Intaglio
Southern Graphics Council International
Chicago, IL
Process Documentation
Watching it
being made.
The process is the argument. Collectors who watch the making understand the edition limit — and why it exists.
20–45 min
Acid immersion per pass
Ferric chloride cuts at 45° into copper. The depth of the bite determines the ink load — and the darkness of the final mark.
Stiff oil-based ink, forced into every groove by hand. Then wiped back to the surface — only the cuts hold.
4,000 PSI
Press pressure
4,000 PSI. Dampened Hahnemühle paper pressed into the inked plate by steel rollers. One pass. Irreversible.
≤ 20
Editions per plate
The first print off a new state. Examined under a loupe. Numbered in pencil. Either signed or destroyed.
Commission an Edition
Tell me about
your wall.
Commissions open twice yearly. Editions are limited to 20 prints. The conversation begins here — describe the space, the light, the feeling you're after.
≤ 20
Prints per edition
6–8 wk
Average completion
$1,200+
Editions from
100%
Archival materials
Request the Full Portfolio PDF
36 pages. All editions, plate states, and exhibition history. Sent within the hour.